Bogdanovich I. F. Brief biography. Bogdanovich Ippolit Fedorovich. Bogdanovich, Ippolit Fedorovich

At an early age he discovered a passionate love for reading, drawing, music and poetry.

In his eleventh year he was taken to Moscow and enrolled as a cadet in the College of Justice.

The president of the college, noticing a special inclination for science in him, allowed him to study at the mathematical school that was then part of the Senate office.

But Bogdanovich was interested in poetry and theater.

Having once visited the theater, he was so amazed by everything he saw that he went to M. M. Kheraskov, who was then the director of the Moscow theater, with a request to accept him as an actor.

In Kheraskov’s house and at the university, “learning the rules of art and the language of poetry” and participating in the journal “Useful Amusements” published by Kheraskov, Bogdanovich spent all the time until 1761. Using the patronage of both Kheraskov and the director of the Moscow University Melissino, Bogdanovich this year was appointed to the university “to supervise the classes,” and the next - to the commission on the construction of the gates, and composed inscriptions for the triumphal gates.

In Kheraskov's house, Bogdanovich managed to make various acquaintances with noble and high-ranking people, and attracted the special attention of Princess E. R. Dashkova, who even took part in the magazine "Innocent Exercise", published under the editorship of Bogdanovich for six months in 1763. Under the patronage E. P. Dashkova Bogdanovich in the same year received a position as a translator of the Foreign Collegium on the staff of Count N. I. Panin and moved to St. Petersburg.

Known to the public for his short poems and fairly successful translations from Voltaire, which were published in Innocent Exercise, Bogdanovich in 1765 published his first short poem, “Supreme Bliss,” which, however, was not successful. In 1766, appointed secretary of our embassy at the Saxon court, Bogdanovich spent two years there. There is no doubt that Dresden society, the picturesque surroundings of the city and the art treasures adorning the famous Dresden gallery had a strong influence on the development of his poetic talent.

Upon his return from Dresden in 1768 to St. Petersburg, Bogdanovich completely devoted all his leisure time to literature: he wrote poetry, translated it in verse and prose, until finally in 1775 he “placed his “Darling” on the altar of Grace.” “He lived then - as it is spoken of in the article “Bulletin of Europe” of 1803, No. 10, - on Vasilyevsky Island, in a quiet, secluded house, studying music and poetry, in happy carelessness and freedom; had pleasant acquaintances, loved to travel sometimes, but even more so to return home, where the muse was waiting for him with new ideas and flowers." In the year of the publication of "Darling" Bogdanovich (from September 1775) published "St. Petersburg" for 6 months Vestnik" and from this year until December 1782 "had the main supervision" over the publication of the "St. Petersburg Gazette". "Dushenka" put Bogdanovich on a par with the first poets of that time.

This poem, the plot of which was borrowed by Bogdanovich from La Fontaine’s story “The Love of Psyche and Cupid,” which in turn was borrowed by La Fontaine from Apuleius, was an extraordinary success.

Empress Catherine II spoke of the poem with great praise, dignitaries and courtiers vying with each other in a hurry to show signs of respect to the author; poets glorified him “in epistles, odes, madrigals and inscriptions.” Contemporaries, tired of the monotony of pseudo-classical works written according to all the rules of strict theory, liked the playfulness in “Darling”, the mixture of pseudo-classical with Russian, folk, and also liked the verse - free and varied in the number of feet and combination of rhymes. The success of "Darling" greatly contributed to the success of the author both in the service and in society;

Bogdanovich begins to write only out of a desire to please his high patron, who especially encouraged drama.

Between 1775 and 1789, Bogdanovich wrote, among other things, the lyrical comedy “Darling’s Joy” (1786) and the drama “Slavs” (1787), played at the Hermitage Theater (the latter during the celebration of the twenty-fifth anniversary of Catherine II’s accession to the throne) . Around the same time, Bogdanovich undertook to write “Historical Image of Russia,” which contemporaries spoke of as “an easy, imperfect, but rather pleasant experience.” In general, after “Darling,” not a single work by Bogdanovich was successful. At the end of the reign of Catherine II, he became one of the most zealous court poets, devoting his leisure time to glorifying the Empress, and translated all the best poems written in honor of the Monarch by Voltaire, Marmontel and others. During this period of Bogdanovich’s activity, the collection “Russian Proverbs” (1785) is remarkable. ). They were collected and translated into poetry at the request of the Empress, who generally loved folk sayings; The proverbs in the collection are smoothed out, softened and arranged according to the moral issues that form their basis (for example, section I is entitled: the necessary moderation in life, II - the necessary patience in life, IV - the shame of boasting, VIII - the stupidity of arrogance, etc.). d.). In 1787, Bogdanovich, by personal order of the monarch, composed two theatrical performances from Russian proverbs.

His official activity since 1780 was devoted to the state St. Petersburg archive, in which Bogdanovich was a member until 1788, then chairman, until his retirement in 1796 with a full salary.

Soon after this, Bogdanovich moved to his relatives in Sumy, and in 1798 he moved to Kursk, from where he welcomed the accession to the throne of Alexander I. At the beginning of December 1802, Bogdanovich fell ill, and on January 6, 1803 he died and was buried in the Kursk city cemetery.

Among the works published before the appearance of “Darling”, in addition to the above-mentioned, the following are known: 1) “Ode for the New Year 1763,” M., 2) “A Small War Described by a Major in the Service of the King of Prussia,” trans. from French, St. Petersburg, 1768, 3) “Abridged from the project on the eternal peace of Rousseau”, St. Petersburg, 1771, 4) “The story of former changes in the Roman Republic” Vertota, from French, 3 hours, St. Petersburg, 1771-1775, 5) "Lyre, or a Collection of various works in verse and translations of some muses of an amateur", St. Petersburg, 1773 and 6) "Hymn for the wedding of V.K. Pavel Petrovich", St. Petersburg. , 1776. The first edition of “Darling”, made by Rzhevsky, appeared in 1783 in St. Petersburg under the title: “Darling, an ancient story in free verse.” Then the first and third books of this edition were reprinted without change by Sopikov in the 2nd volume of “The Experience of Russian Bibliography”. A second revised edition was published in 1794; the third - in 1799; the fourth - in the "Collected Works and Translations of Bogdanovich", published by Beketov, 1809-1810. in 6 parts; the fifth - attributed by Sopikov to 1811, but it burned down in Moscow during the fire of 1812; the sixth was made by Smirdin in 1848 in his edition of the Complete Works of Russian Authors, which included the rest of Bogdanovich’s works.

Finally, “Darling” went through two more editions in the “Cheap Library” published by A. S. Suvorin. "Bulletin of Europe", 1803, Nos. 3, 9 and 10 (article by N. M. Karamzin, written according to information provided by the poet’s brother). - “History of Russian Literature” by A. D. Galakhov, vol. II, ed. 2nd. - “History of Russian Literature” by P. I. Polevoy, vol. II, ed. 5th. - Dictionaries: Gennady, Starchevsky, Plushar, Berezin and Vengerov. - “Russian poets in biographies and examples” by N.V. Gerbel, ed. 3rd. - For characteristics, see Belinsky, vol. VIII and A.I. Nezelenov: “Literary trends in the Catherine era.” (Polovtsov) Bogdanovich, Ippolit Fedorovich - poet of Catherine's times; genus. December 23, 1743 in Perevolochna; ten years old was recorded in military service, but after graduating from Moscow University in 1761, he was assigned to oversee classes at the university, and in 1762 to the commission on the construction of triumphal gates, for which he composed inscriptions.

In 1763 he was seconded to the staff of gr. P. I. Panin, and in 1764 he began serving in the Foreign Collegium; from 1766 to 1769 he was secretary of the Russian embassy at the Saxon court. In 1799 he was transferred to the department of heraldry, and in 1780 he was a member of the state archive, where from 1788 he was chairman. On May 1, 1795, he was dismissed from service and left St. Petersburg the following year.

He died in Kursk on January 6, 1802. He began writing poetry in childhood and has been publishing them for 14 years thanks to Kheraskov and Melissino.

In 1763 he met gr. Dashkova and took part in magazines published with her participation.

Around 1775, he composed a free story in verse - “Darling”, imitating La Fontaine, who borrowed his plot from Apuleius; It was published for the first time in 1783 in St. Petersburg. and until 1841 it went through 15 editions; the last one in 1887 by A. Suvorin in the “Cheap Library”. This essay brought B. fame and drew the attention of Catherine II to him. On her instructions, he wrote for the Hermitage Theater “Darling’s Joy” (1786) and “Slavs” (1787) - plays that were not successful.

From September 1775 he published the St. Petersburg Bulletin, and from 1775-1782. edited "SPb. Vedomosti". In addition, he wrote: “Pure Bliss” (poem St. Petersburg, 1765); "Dobromysl", (other story in verse.

M., 1805); "The Bliss of Nations" (poem, M. 1810); "The Shore" (St. Petersburg, 1812); “Russian Proverbs” (3 parts. St. Petersburg, 1785; here folk proverbs are converted into couplets); "Lyre, or collection of various opus." (SPb., 1773). The fruit of his historical studies was “Historical Image of Russia” (St. Petersburg, 1777) and translations: “The Small War, Described by a Major in the Service of the King of Prussia” (from French, St. Petersburg, 1768); “An abbreviation from the project on the eternal peace of Rousseau (from Saint-Pierre)” (St. Petersburg, 1771) and “Vertota, the story of former changes in the Roman Republic” (from French, 3 parts. St. Petersburg, 1771-75). B. left an autobiography (published in Otech. Zap., 1853, No. 4). His collected works were published in Moscow in 1809-1810, 6 hours; 2nd ed. - M. 1818-19, 4 hours; 3rd - Smirdinskoe, at 2 o’clock, in 1848. Of all that B. wrote, only “Darling” has historical and literary significance. It was a rather bold dissonance in the poetry of the 18th century, which was engaged in the production of solemn inflated odes. Contemporaries were amazed by the novelty of its content and form and promoted B. to “genius.” “Darling” gave rise to a lot of imitations and adaptations, like some “classical” work.

B.’s death gave rise to a lot of epitaphs in which B. is extolled precisely for writing “Darling”: “Why do we blacken that grave with inscriptions Where Darling alone can replace everything?” - says one of them. In our time, in “Darling” one can note the lightness of the verse and the desire, as far as official and moral censorship allows, to talk about the “strawberry”, thanks to which the poem was mainly successful among its contemporaries.

M. M. (Brockhaus) Bogdanovich, Ippolit Fedorovich (1743-1803) - poet. B.'s numerous works are of little value in artistic, historical and literary terms.

B. owes his fame to his poem “Darling, an ancient story in free verse” (1775). The model for it was La Fontaine’s “The Love of Psyche,” which is a distortion of the Greek. myth. "Darling", which went through a number of editions, was published in Russian. 18th century literature one of the first examples of French “light poetry”; This work, thanks to the novelty of its content and form, enjoyed enormous success among readers tired of the bombast of tragedies, solemn odes, and heroic poems. Lit.: Vengerov, S., Critical-Biographical Dictionary, vol. 4; "Russian Poetry", ed. S. Vengerova, vol. 3 and additional; Russian Biographical Dictionary, ed. Russian Historical Society, vol. 3. Bogdanovich, Ippolit Fedorovich - Russian poet. He came from a poor noble family and studied at Moscow University.

He began his literary activity under the leadership of M. M. Kheraskov (see). He edited the following magazines: "Innocent Exercise", "St. Petersburg Bulletin" and "St. Petersburg Gazette". B. wrote: poems - “Pure Bliss”, “On the Destruction of Lisbon” [translation of Voltaire’s poem of the same name (see)], the story in verse “Dobromysl”, the drama “Slavs”, a large number of poems, fables, translations, etc. But The main work that brought B. exceptional popularity was “Darling” - “An Ancient Tale in Free Verse,” which went through fifteen re-editions. “Darling” was written on the plot of the French fabulist La Fontaine (see) “Les Amours de Psyche”, which in turn came from Apuleius’s “The Golden Ass” (see). This poem played a big role in the development of Russian classicism.

She liberated the poetry of the 18th century. from the dominance of the ornate style of heroic odes. Darling's magical adventures in Amur's palace were, of course, devoid of any deep social content.

Like all of B.’s work, “Darling” pursued one goal - so that “in hours of coolness, fun and peace, Chloe would laugh pleasantly.” This attitude towards the reader of aristocratic salons determined artistic features B.'s creativity: grace of form, lightness of language, close to colloquial, etc. In the age of the heyday of aristocratic poetry, B. enjoyed the fame of a great “poetmaker.” But already in the 40s, the “commoner” Belinsky (see) rejected the slightest opportunity to read B.: “What is this Darling? Nothing, absolutely nothing... it has no merits." Bibliography: I. Sochin. B. published: M., 1809-1810; M., 1918 and St. Petersburg, 1848. Last edition - Smirdina in his " Complete collected works of Russian authors." II. Vengerov S. A., Russian poetry of the 18th century, vol. I, issue 3, St. Petersburg, 1893 and vol. I, issue 5, St. Petersburg, 1895 (summarized there) critical opinions about B.) L. Timofeev (Lit. enc.)

BOGDANOVICH Ippolit Fedorovich was born into the family of a poor small nobleman - a poet.

At the age of 10 he was brought to Moscow, assigned as a cadet to the College of Justice and sent to study at the Mathematical School at the Senate Office. Interest in poetry, music and theater brought Bogdanovich closer to M. M. Kheraskov, with whose permission he attended lectures at Moscow University.

In 1760-62, Ippolit Fedorovich actively collaborated in Kheraskov’s magazine “Useful Amusement”, publishing a number of poems in it. At this time, he became close to the Panin-Dashkova group and, with the help of the latter, began to publish the magazine “Innocent Exercise” (1763), which lasted, however, only six months.

In 1766 Bogdanovich moved to St. Petersburg and joined the Foreign College as a translator. For three years he served as secretary of the Russian embassy in Dresden. Returning to his homeland, he continued to serve in the Foreign Collegium under the command of Panin. He collaborates in the magazine “Evenings”, “Interlocutor of Lovers of Russian Literature”, “New Monthly Works” and others, publishing lyric poems, solemn odes, arrangements of psalms, eclogues and so on.

In 1761 he moved to serve in the university office.

Bogdanovich acted as a conductor of the advanced ideas of the French Enlightenment and soon became one of the most famous writers of the 2nd half of the 18th century. His magazine “Innocent Exercise” publishes translations from Voltaire and Helvetius from issue to issue. In the very first issue of the magazine, Ippolit Fedorovich publishes a poem "It's about equality of fortune", then his translation of Voltaire's poem "To the destruction of Lisbon", filled with love for humanity and a sharp rejection of idealistic optimism, complacency and tranquility.

In 1765, Ippolit Fedorovich, continuing the traditions of the didactic poem, published the poem in three songs "Pure Bliss", in which, pursuing the theory of natural law, he proves that the basis of general well-being is material equality and the absence of property.

In 1773, Bogdanovich’s collection “Lyre” was published, containing original poems and translations, in particular by the French writer Marmontel, who proved that for the complete bliss of “happy” subjects to be given freedom. In the fable “The Bees and the Bumblebee,” the poet opposed the drone nobles.

After the Pugachev uprising, social motives in Bogdanovich’s work fade, he moves away from his freethinking and takes the position of a court poet.

In 1775-82, Ippolit Fedorovich edited the government newspaper “St. Petersburg Gazette”; fulfilling the order of Catherine II, publishes a collection "Russian proverbs"(1785), in which he falsifies folklore in the spirit of government patriotism, seeks to prove the piety and humility of the people. He writes plays and lyrical comedy based on proverb plots. "Darling's Joy"(1786), which did not have any success with the reader.

Bogdanovich entered the history of Russian literature as the author of the poetic story “Darling” (1778, full edition - 1783), which is a free adaptation of La Fontaine’s novel “The Love of Psyche and Cupid” (1669), in turn repeating episodes from Apuleius’ novel “The Golden Ass” " Lafontaine, discarding the philosophical basis of the ancient myth of the love of Cupid and Psyche and borrowing only an erotic plot, sought to maintain the main line of the narrative in the form of a salon joke. Bogdanovich makes this last property of La Fontaine’s manner a characteristic feature of his poem. He rejects the “sublime” and “heroic” and widely uses comic ironic motifs of Russian folk poetry. The comic nature of the work corresponded to its style, simple and light, close to conversational. All this ensured Ippolit Fedorovich’s poem a resounding and lasting success. Criticizing the poet for the poverty of the content of “Darling,” Belinsky wrote: “Bogdanovich’s poem is still a wonderful work, as a fact of the history of Russian literature: it was a step forward for the language, and for literature, and for the literary education of our society. Anyone who is engaged in Russian literature as a subject of study and not just pleasure, it is a shame for him - an even more noted writer - not to read “Darlings” by Bogdanovich (Poln. sobr. soch., vol. V, M., 1954, p. 164). With his entertaining poem, Bogdanovich Ippolit Fedorovich opposed not only the forms, but also the ideas of Russian classicism.

In 1780 the poet went to serve in the St. Petersburg archive.

In 1786, together with F. Tumansky and I. F. Bogdanovich, he published the magazine “Mirror of Light”.

From 1788 he served as chairman of the archive.

In 1796 he retired and moved to Kursk, where he spent last years life.

He died in Kursk.

BOGDANOVICH, IPPOLIT FEDOROVYCH(1743–1803) – poet, translator, journalist.

Born on December 23, 1743 (January 3, 1744) in the village of Perevolochna, Poltava province. He came from poor Little Russian nobles. By his own admission, “as a child I loved reading books, drawing, music and poetry, for which I especially gained a taste for reading the poetic works of Mikhail Vasilyevich Lomonosov.” He was educated at home, then studied in Moscow, where he tried to become an actor. M.M. Kheraskov dissuaded him, explaining “the indecency of the acting title for a noble person.” In 1757, he enrolled him in a gymnasium at Moscow University and settled him in his house. Under the influence of Kheraskov, Bogdanovich began to write moral fables, fairy tales, arrangements of psalms and other original and translated works, which he published in his magazine “Useful Amusement” (1760–1762).

In 1763, Bogdanovich became the editor of the magazine “Innocent Exercise,” published by Princess E.R. Dashkova, where the ideas of French philosophers and freethinkers were popularized. Here, among his other works, a large poetic translation from Voltaire appeared - Poem on the destruction of Lisbon(1763). Later Bogdanovich translated his own poetic comedy into prose Nanina, or defeated prejudice(1765). Bogdanovich's first major original work is a didactic poem Pure bliss(1765) - according to N.M. Karamzin, “did not make a strong impression on the public.”

In 1764 Bogdanovich moved to St. Petersburg, where he entered the service of the Collegium of Foreign Affairs under Count N.I. Panin, who patronized the writer. He spent two years in Dresden as part of a diplomatic mission. Returning to St. Petersburg in 1769, he continued his intensive translation work: he published translations of articles from the encyclopedia of Diderot and D'Alembert, the Abbé Saint-Pierre's discussion of eternal peace as presented by J.-J. Rousseau (1771), The story of the former changes in the Roman Republic R.-O. Verto in three parts (1771–1775), etc. In 1775–1776 he edited the magazine “Collected News,” which included a variety of topical material (including one article that proved the unprofitability of serfdom for the landowners themselves) . In 1775–1782 he carried out the “main supervision” of the publication of the newspaper “St. Petersburg Vedomosti”, where for the first time he introduced a special section for reviews of new books. In 1777 he published the first part of his Historical image of Russia(the second part was never published), dedicated to the history of ancient Rus', is not so much history as a moralizing essay based on historical material.

The main work that glorified Bogdanovich was the poem Darling– fully published in 1783 (the first incomplete edition of the poem entitled Dushenka's adventures appeared back in 1778) and was then reprinted several times. This is a gallant tale, full of graceful wit, innocent eroticism and unobtrusive moral teachings. Its plot - the love story of Cupid and Psyche - goes back to the novel by Apuleius Metamorphoses, or The Golden Ass, but Bogdanovich’s poem is almost free from mythological overtones; it is closer to the treatment of the same plot by the French fabulist J. Lafontaine in the novel Love of Cupid and Psyche which he imitated. However, at the same time, Bogdanovich managed to remain completely independent. The poem contains many signs of Russian life, allusions to modern events in literary and political life, and Diana and Apollo are adjacent to Kashchei and Zmey Gorynych. The main advantages of the poem are its light ironic style and equally light and flexible verse. Particularly important was the image of the “creator” that first appeared here - a good-natured, sensitive and carefree poet, who was later “canonized” by N.M. Karamzin in an extensive obituary article About Bogdanovich and his works (1803). Darling were highly valued by K.N. Batyushkov, E.A. Boratynsky, N.V. Gogol and, of course, A.S. Pushkin, who in his own way used Bogdanovich’s experience in Ruslana and Lyudmila.

Darling was enthusiastically received by her contemporaries and fell in love with the empress herself. Its author soon acquired the nickname “singer Dushenka.” By decree of Catherine II, Bogdanovich wrote a lyrical comedy in 1786 Darling's Joy, staged at the court theater.

In the year the poem was published, Bogdanovich was elected to the Russian Academy. He participates in the work on the academic dictionary of the Russian language, publishes a collection Russian proverbs(1785), writes many poems, composes drama Slavs(1788), but in 1788, having taken the position of chairman of the St. Petersburg archive, he almost stopped studying literature. In 1795 he retired and left the capital forever. First he lives in the Little Russian city of Sumy, then, from 1797 until the end of his life, in Kursk. Here, while he was visiting one day, he drew attention to the serf boy M.S. Shchepkin (the future great actor) and provided him with the opportunity to use his library, thereby playing a big role in his future fate. In 1801–1802 he addressed poems and speeches to the Academy, complaining about poverty and demanding some kind of reward, but his requests were rejected. He died on January 6 (18), 1803 in Kursk after a short illness.

Editions: Poems and poems. L., 1957; Darling. M.: Ladomir, 2002.

Vladimir Korovin

03 January 1744 - 18 January 1803

Russian poet

Biography

Ippolit Bogdanovich was born on December 23, 1743 (January 3, 1744) in Perevolochna, into a Ukrainian noble family.

In 1761 he graduated from Moscow University and was left as an overseer of classes at the university, although at the age of ten he was assigned to military service.

In 1762 he was transferred to the commission on the construction of the triumphal gates, for which he composed inscriptions. In 1763, he was seconded to the staff of the famous military figure Count P. I. Panin.

In 1764, Bogdanovich began serving in the Foreign Collegium and from 1766 to 1769 was secretary of the Russian embassy at the Saxon court. In 1769 he was transferred to the department of heraldry, in 1780 - to the state archive.

Since 1783 Bogdanovich has been a member Russian Academy. From 1788 to 1795 - chairman of the state archive. After leaving the service, he left St. Petersburg.

Creation

He began writing poetry in childhood and has been publishing them for 14 years thanks to M. M. Kheraskov and I. I. Melissino. In 1763, he met Countess Ekaterina Dashkova and took part in magazines published with her participation, acting as the publisher of the magazine “Innocent Exercise” (1763).

Around 1775, he composed a free story in verse “Darling”, imitating La Fontaine, who borrowed his plot from Apuleius (“The Love of Psyche and Cupid” (1669). “Darling” was published for the first time in 1783 in St. Petersburg, until 1841 went through 15 editions, the last one in 1787 by A. S. Suvorin in the “Cheap Library". This work brought Bogdanovich fame and drew the attention of Catherine II to him. On her instructions, he wrote for the Hermitage Theater “Darling’s Joy” (1786), “ Slavs" (1787) - plays that were not successful.

From September 1775 he published the St. Petersburg Bulletin, and in 1775-1782 he edited St. Petersburg. statements." In addition, he wrote:

• “Pure Bliss” (poem St. Petersburg, 1765);
• “Dobromysl” (another story in verse. M., 1805);
• “The Bliss of Nations” (poem, M. 1810);
• “The Shore” (St. Petersburg, 1812);
• “Russian Proverbs” (3 parts. St. Petersburg, 1785; here folk proverbs are converted into couplets);
• “Lyre, or a collection of various works” (St. Petersburg, 1773).

Like many of his contemporaries-poets, Bogdanovich was actively involved in the arrangement of psalms:

• "Ode from Psalm 114"
• "Psalm 45"
• “The heavens will tell the glory of God (from Psalm 18)”
• "Psalm 148"

The fruits of his historical studies remain:

• “Historical Image of Russia” (St. Petersburg, 1777)

and translations:

• “The Small War Described by a Major in the Service of the King of Prussia” (from French, St. Petersburg, 1768);
• “An abbreviation from the project on the eternal world of Rousseau (from Saint-Pierre)” (St. Petersburg, 1771)
• “Vertota, the story of former changes in the Roman Republic” (from French, 3 parts. St. Petersburg, 1771-75).

Bogdanovich left an autobiography (published in Otechestvennye zapiski, 1853, No. 4).

His collected works were published in Moscow in 1809-1810, 6 hours; 2nd ed. - M. 1818-1819, 4 hours; 3rd - Smerdinskoe, at 2 o'clock, in 1848

"Darling"

Of everything written by Ippolit Fedorovich, only “Darling” has historical and literary significance. It was a rather bold dissonance in the poetry of the 18th century, which was engaged in the production of solemn inflated odes. Contemporaries were amazed by the novelty of its content and form and made Bogdanovich a “genius.” “Darling” gave rise to a lot of imitations and adaptations, like some “classical” work.

Bogdanovich’s death gave rise to a lot of epitaphs in which Bogdanovich is praised for writing “Darling”:

It is said in one of them.

Today, after a while, in “Darling” one can note the lightness of the verse and the desire, as far as moral censorship allows, to talk about the “strawberry”, thanks to which the poem was mainly successful among its contemporaries.

Bibliography

• Poems and poems. [Intro. Art. I.Z. Serman], L., 1957; in the collection: Songs and romances of Russian poets. [Intro. Art. V. E. Guseva], M.-L., 1965.
• Blagoy D.D., History of Russian literature of the 18th century, 3rd ed., M., 1955;
• Serman I.Z., I.F. Bogdanovich - journalist and critic, in the book: XVIII century, collection. 4, M.-L., 1959.

Ippolit Fedorovich Bogdanovich(December 23, 1743, Perevolochna, Kiev province - January 6, 1803, Kursk) - Russian poet. He entered the history of Russian literature mainly as the author of the poetic story (entertaining poem) “Darling” - a free adaptation of La Fontaine’s novel “The Love of Psyche and Cupid”.

Biography

Ippolit Bogdanovich was born on December 23, 1743 (January 3, 1744) in Perevolochna, into a Ukrainian noble family.

In 1761 he graduated from Moscow University and was left as an overseer of classes at the university, although at the age of ten he was assigned to military service.

In 1762 he was transferred to the commission on the construction of the triumphal gates, for which he composed inscriptions. In 1763, he was seconded to the staff of the famous military figure Count P.I. Panin.

In 1764, Bogdanovich began serving in the Foreign Collegium and from 1766 to 1769 was secretary of the Russian embassy at the Saxon court. In 1769 he was transferred to the department of heraldry, in 1780 - to the state archive.

Since 1783, Bogdanovich has been a member of the Russian Academy. From 1788 to 1795 - chairman of the state archive. After leaving the service, he left St. Petersburg.

He died in Kursk on January 6, 1803. He was buried in the Kherson mountain cemetery. Kursk.

Creation

He began writing poetry in childhood and has been publishing them for 14 years thanks to M. M. Kheraskov and I. I. Melissino. In 1763, he met Countess Ekaterina Dashkova and took part in magazines published with her participation, acting as the publisher of the magazine “Innocent Exercise” (1763).

Around 1775, he composed a free story in verse “Darling”, imitating La Fontaine, who borrowed his plot from Apuleius (“The Love of Psyche and Cupid” (1669). “Darling” was published for the first time in 1783 in St. Petersburg, until 1841 it ran for 15 publications; the last - in 1787 by A. S. Suvorin in the "Cheap Library". This work brought Bogdanovich fame and drew the attention of Catherine II. On her instructions, he wrote for the Hermitage Theater "Darling's Joy" (1786), "Slavs" (1787) - plays that were not successful.

From September 1775 he published the St. Petersburg Bulletin, and in 1775-1782 he edited St. Petersburg. statements." In addition, he wrote:

“Pure Bliss” (poem St. Petersburg, 1765);

“Dobromysl” (another story in verse. M., 1805);

“The Bliss of Nations” (poem, M. 1810);

“The Shore” (St. Petersburg, 1812);

“Russian Proverbs” (3 parts. St. Petersburg, 1785; here folk proverbs are converted into couplets);

“Lyre, or a collection of various works” (St. Petersburg, 1773).

Like many of his contemporaries-poets, Bogdanovich was actively involved in the arrangement of psalms:

"Ode from Psalm 114"

"Psalm 45"

“The heavens will tell the glory of God (from Psalm 18)”

"Psalm 148"

The fruits of his historical studies remain:

“Historical Image of Russia” (St. Petersburg, 1777)

and translations:

“The Small War Described by a Major in the Service of the King of Prussia” (from French, St. Petersburg, 1768);

“An abbreviation from the project on the eternal world of Rousseau (from Saint-Pierre)” (St. Petersburg, 1771)

“Vertota, the story of former changes in the Roman Republic” (from French, 3 parts. St. Petersburg, 1771-75).

Bogdanovich left an autobiography (published in Otechestvennye zapiski, 1853, No. 4).

His collected works were published in Moscow in 1809-1810, 6 hours; 2nd ed. - M. 1818-1819, 4 hours; 3rd - Smerdinskoe, at 2 o'clock, in 1848

"Darling"

Of everything written by Ippolit Fedorovich, only “Darling” has historical and literary significance. It was a rather bold dissonance in the poetry of the 18th century, which was engaged in the production of solemn inflated odes. Contemporaries were amazed by the novelty of its content and form and made Bogdanovich a “genius.” “Darling” gave rise to a lot of imitations and adaptations, like some “classical” work.

Bogdanovich’s death gave rise to a lot of epitaphs in which Bogdanovich is praised for writing “Darling”:

Why do we need to blacken that grave with inscriptions?

Where can Darling alone replace everything?

It is said in one of them.

Today, after a while, in “Darling” one can note the lightness of the verse and the desire, as far as moral censorship allows, to talk about the “strawberry”, thanks to which the poem was mainly successful among its contemporaries.